re: #3 Charles Johnson

Yeah, I had a feeling it was about money in one form or another.

Honestly I’m kind of siding with Oates now. It’s a good time for big acts to cash in and get the fuck out. Also, we all know their songs but does anybody actually own their records? Like, who actually thinks there’s a huge untapped advertising and streaming market out there for authentic 1980’s blue-eyed soul jams?